"Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten."
"Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten."
"Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten."



AFROPOLIS 2026 | SANCTUARY
April arrives with its familiar Lagos paradox: heat and rain, haste and ceremony, laughter in the mouth of uncertainty. We are living through an era that demands constant output and constant performance—our lives endlessly translated into something consumable. Many of us feel the cost in the body: attention thinned, intimacy negotiated, rest is always postponed.
Afropolis 2026 gathers under one word: SANCTUARY.
​
Not as decoration, but as discipline—an agreement we practice together. A way of holding one another through sound, movement, language, food, silence, study, argument, prayer, mischief, and long nights that end in clarity.
Sanctuary, in our hands, becomes an ethics of proximity: a room with thresholds, a circle with listening, a commons with care. A place where we arrive as full people—artists, thinkers, scene-makers, dancers, DJs, writers, designers, filmmakers, photographers, elders, apprentices, and those who keep society alive without being seen. We gather with our unfinishedness intact, and the courage to be changed by each other.
This is a festival shaped by a tradition of study that lives in the everyday—where thinking is not sealed inside institutions, and knowledge does not require permission to exist. Study appears as rehearsal, as hanging out with purpose, as collective attention, as the slow craft of trust.
Across six days, Afropolis becomes a living field: performances, labs, workshops, screenings, conversations, listening sessions, street intelligence, ritual gestures, and the quiet architecture of care. Spaces where the body can speak without being exploited; where archives can be built without being surrendered; where critique stays generous; where celebration carries memory; where rest has dignity.
Lagos creatives already knows sanctuary—in courtyards and backstage corners, in studios and shrines, in markets and afterparties that turn into long seminars. Afropolis extends that lineage—contemporary, porous, rigorous, playful—offering a gathering that feels like a wider room for new culture to breathe.
If you’ve been searching for your people, come.
If you’ve been building alone, come.
If your practice has been asking for a wider room, come, let us make sanctuary together.
Q.
Creative Diviner / Path Clearer

